Balancing Act

Balancing Act

This is a video exploring another side of the music of Mark Allan Wolfe. Noted for Rock, Indie, and New Age music, here is a cinematic piece. The song opens with soft piano, that is haunting and is joined by guitar and cello and culminates in a balancing act of a variety of musical instruments. The swelling of cymbals, orchestral elements, and traditional island percussion. For more music and licensing information please visit markallanwolfe.com
If you are interested in licensing music immediately you can start by visiting the online music licensing store located at
http://markallanwolfe.com/License Music.html

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Another music video post by Mark Allan Wolfe

Up and Away

A guitar based pop rock song perfect for any occasion. A happy go lucky song full of excitement and joy. For more info on music like this and others please visit markallanwolfe.com for more info.

This song was created for placement within a TV commercial, and also for a popular cable TV show. Once I get the clearence for those I will try to remember to place them on here for folks to check out.

In the mean time I would be humbled if you would kindly share this video or visit my website to listen to this song an dmany more I bet you never really knew exsisted.
Point your browsers and those of your friends and those you work with to markallanwolfe.com. I am always looking for people to collaborate with and network together to bring NEW unsigned music to the fore front.

Equalizer

Equalizer

A modern rock with a bit of swing and a great hook. Guitars and thunderous drums make this a great choice for your high energy, tough gritty, get the job done type of vibe. The song is also good for commercials video games and reality shows. Composer Mark Allan Wolfe has several 1000’s of songs readily available for just about any job you need music for. Visit markallanwolfe.com and /or wolfiesmusicpublishing.com to contact them to learn about what they can do for you or your clients needs.

Mixing Video Series: How to use Compression with the CA2A in SONAR X3

I use this software a lot and I found Cakewalk Sonar X3 to be one of the best recording software out there. You may like something different but this is a great tool for recording your music at home and in the studio

Mixing with Compression is an essential part to shaping and creating a great sounding track. In this video series I take you through a track-by-track video that shows you how to use compression on various types of instruments in SONAR X3 with the CA-2A T-Type Leveling Amplifier. You can use compression to control levels, enhance dynamics, and much more. Subscribe to our YouTube Channel and check out this series today.

 

Part 1 of 7 – Introducing the CA2A and all of it’s parameters in SONAR X3.

The CA2A is available separately on the Cakewalk Store

Check out SONAR X3: http://www.cakewalk.com/Products/SONAR/

Check out the CA2A Leveling Amplifier: http://www.cakewalk.com/products/CA-2A/

about the music licensing process

A little about the music licensing process

In the USA Copyright law states that in order for someone to use music synchronized to a picture requires them to gain the permission of the copyright holder or owners of the music.  The main job of the music supervisor is for them to locate music and gain the permission from all copyright owners to use that music in film or TV production. Thisprocess is call “clearing” music, or ”music clearing”

There are two different copyrights in any piece of music

The music itself has a copyright and then on each sound recording of that piece of music

Music Copyright 

Typically owned by a music publishing company

A license between a music copyright owner and a film/TV production company for use

of music in a production is called a Synchronization License (aka “Sync License”)

Sound Recording Copyright

Record labels typically own and there may be many recordings of the same work, each with a different sound recording copyright owner

 

A “Master License” is used for a recording in any given production it is the license between a sound recording copyright owner and a film/TV production company.

I would also like to add that there is so much information on this process that it will take a bit more than just one or two postings. I am working on trying to help my fellow musicians and artist in their quest for fame and stardome but you must do the homework. You must be the one to do all the studying.

Nothing good comes easy it will take determination, perseverance, talent and luck. You are on the right road though for you are researching and trying to educate yourself in this matter. Please visit back often for more updates and ask questions. We are working on a program that may help you and others that has helped me in this process. So hang in there and keep on keeping on.

For more info you may also look at wolfiesmusicpublishing.com and / or markallanwolfe.com We also have a handy glossary which will help many of you becoming familiar with the process visit Music Licensing Terms

Mark Allan Wolfe and Wolfies Music radio interview

Be sure to tune in this evening at 9 pm est for a very informative and fun time!!

Life has ups and downs, highs and lows yet it is the music we follow within our heart that will ultimately define who we are and what we become. Tonight, we present to you, the gifted composer, Mark Allan Wolfe.

Mark Allan Wolfe is a composer and an artist in the truest sense. His film and TV compositions run from thought-provoking, high energy, laced with adrenaline and  atq times sincerity. Combining heart-pounding Rock ‘n Roll with tributaries of Electronics, World, Hip-Hop, Pop and Americana, Mark’s songs draw on his 25 years of striving for professionalism and musical merger of sound and genre.

His fans span the world and the 1500+ compositions verify that diversity on TV, internet, film and commercials. You may have hummed one of Mark’s tunes not even realizing the tunesmith behind the music. Web site: MarkAllanWolfe

Grace Peterson is an author, garden columnist and blogger. Depending on the weather, she can be found either pecking on her laptop or puttering in her garden. She is a member of the National Association of Memoir Writers and the Association For Writing Excellence and her work has been published in several anthologies.

Tonight we will speaking of her first book, Reaching. Is it Demon possession or mental illness. A personal descent into cult extremism and the aftermath,.

Grace lives in western Oregon, sharing a home with her husband and four furry felines while their four grown children come and go. REACHING is her first book. Her gardening memoir is slated for publication later this year. Web-site: Gracepete.com

Tips on getting music placed and listened to

A lot of people email me and ask questions about how to get their music heard, do I have some time to listen and perhaps can I give them some advice? So I decided to put this together as a little posting to try to pass along some VERY IMPORTANT info. I hope it helps it is very basic but sometimes that is all that is needed to do. .

Do your research, find out what shows fit your music. Check the credits. Some of us may respond to Linkedin, Facebook, etc. If I have heavy metal or hard rock songs and cues I am not going to send them along to a show that primarily uses Hip Hop? or Reggae?

You may think this is silly that I say this but I cannot begin to tell you how many times I might post a listing or song search and I get back the totally opposite results. I will post something like I need Hip Hop, or Urban rap tune and someone will eventually send me a singer songwriter or jazz, even once I got a classical score piece. I am not mocking you or making fun of them for I have done that even in the past a long time ago but you need to do your research and find out what shows use what or what have they licensed before. Nothing will get the Music Supervisor to NOT listen to something more than when someone says, “I know your not looking for this at the moment but I feel this will be the best fit for your show…”  Not tripping but if the director wanted something other than what is listed we would have asked for it.

When sending someone an email asking them to listen to your music be sure you make the process as simple as possible. Links to stream with a link to download next to it. Keep it clean and accessible. Something like SoundCloud or Drop Box You Send it, Reverbnation EPK something easy.

Try to think of it like a million folks are trying to get the Music Supervisor or A&R agent to listen to their music. If the one listening needs to fill out forms or go searching on some website then that is NOT going to happen.

“What is the best way for me to get your attention to their music or take a moment to listen?” Be honest about presentation. Be professional yet humble. Try not to tell me you’re the NEXT so and so..Let your music and image do the talking. You maybe working out of a garage or a one room apartment or you may have a great band rocking out every night. THe thing is that if you have great music and great attitude you WILL be heard, your music WILL get you to where you need to be. Might take a while but it will. LOL

Finally BE ENCOURAGED!! and Keep on keeping on. No ONE believes more in your music than YOU! No one will promote it as hard, talk it up as much or try to sell it more.If you send a package out give it some time say 4-6 weeks. I cannot tell you how many times I might have sent something out and not heard nothing back then WHAM when you’re not thinking about it like sometimes months later you get the call, “We LOVE YOUR MUSIC!!” So just because someone does not call you or email you with in a month or so does not mean you’re not being heard.

We live in an age of FAST..somethings take time and for the RIGHT time. If you hold steady and do not quit and believe, make great music SOMEONE WILL notice.

With that I say CHEERS and have a safe summer, stay in touch.

Wolfie’s Music Publishing

The music players on here are from Wolfies Music Publishing and Mark Allan Wolfe

Types of Music License

.Types of Music License

Well once again we have compiled a little more info on some catagories of music licensing. we are trying to help promote music and the education of our artist. If you would like to collaborate maybe share some thoughts feel free to add a comment.  Would love to hear from our fellow artist, music libraries

Master Use Sound Recording Licenses
Usage: License master audio recording with no use of visual synchronization.
License Types:

  • Audio Projects
  • Composition and Sound Recordings
  • Master Ringtone (Pre-Recorded music which play actual clips from sound recordings.)
  • Music Compilation (CD, DVD, PC Audio)
  • Public Space (Restaurants, Trade shows, Retail spaces)
  • Radio Ad or Production
  • Sampling, Remixes, Covers and Derivative Works
  • Telephone or Music On Hold

Print Rights Licensing
Usage: Generally sheet music, song folios, scores or notation in any printed or digital form released for sale. Once sold, printed music earns royalties from the print rights license which the publisher negotiated.
License Types:

  • Scores or notation
  • Sheet music
  • Song folios

Sync and Master Licenses
Usage: Use of master in synchronization with visual for film, games, video, etc.
License Types:

  • Corporate, Theater and Competition (unless no visual media is used)
  • Film Sync License
  • Games and Software
  • Internet Website, Flash
  • Products and Toys
  • Single Units (Wedding video, small quantity for profit)
  • Slide Show or PowerPoint
  • Software – Multimedia, All platforms, any use
  • TV Advertising
  • TV Show Sync License
  • Video (Music for Video, DVD or CDROM)

Composition Licenses
Usage: No sync or master, only license to record and sell the song’s composition.
License Types:

Basic Mechanical Royalty application: A mechanical right is the right to record and distribute (without visual images) a song on a phonorecord (e.g. CD) for private use. Mechanical rights or a mechanical license must be obtained in order to lawfully make and distribute records, CD’s and tapes.

  • Phonic Ringtones – Ringtones using standard MIDI sound files

There are two basic types of ringtones:
Phonic Ringtones and Pre-Recorded Ringtones.

  1. Phonic Ringtones are (most commonly) standard MIDI sound files that are either monophonic, where the ringtones are recreated using standard single notes, or polyphonic where notes can be played simultaneously creating harmony and/or counterpoint.
  2. Pre-Recorded ringtones play actual clips from sound recordings. It should be noted that the term ‘Pre-Recorded ringtone’ is not the standard (industry wide) term. They are also known as Trutones, Songtones, Master Ringtones, etc.

Personal Use Licenses
Usage: Non commercial usage, may be sold as retail product, offered for promotion or evaluation for commercial licensing purposes.
License Types:

  • Free Demo – for promo or commercial project evaluation only.
  • Personal Use – typical retail sales application. May not be used for any commercial projects OR purpose requiring other kinds of licenses.

Performance Rights Licensing
Application and Usage: The public performance rights most commonly collected via the Performance Rights Organizations such as ASCAP, BMI, SESAC, SOCAN, PRS and other PROs around the world. Their fundamental job it is to keep track of every single performance or broadcast of all works protected under copyright. Common uses include Film, TV and Radio broadcasting among many other public and live audience venue performances.

Mixed Usage, Special Licenses

  • Custom License – publisher/buyer negotiated according to exact usage, for example, blanket, per-program, exclusive or foreign rights deals, etc.
  • Stock Music License – some restrictions normally apply and vary according to publisher

If your looking to get an idea on some music to use feel free to visit one of the many places to utilize our music. There is a small guitar oriented library and catalog as well as a larger cata log to sample thru with more genres. Please also feel free to add your thoughts, comments and ideas that might help your fellow musical brothers and sisters in the journey to get their music out there.

Wolfies Music Publishing Store

 

Music Production and Mastering Tips

As we gear up for this new year and start considering all the things we are getting involved in we wanted to share a few things with all of you that might help you all in your production and music creation.

Mastering is often considered to be something of a dark art, being thought of as almost unattainable. Although it is a complicated process it is not something that is not  unattainable and it is not an unlearn-able skill. A few places where you can find help would be ; Computer Music Has a bunch of tools available as well as a beginners’ guide to mastering. You can also visit http://www.recordingmag.com/ For a LOT of helpful tips and video links and articles to get you going.

Now, lets look at the things that we have found to be very helpful…..

Notch the kick

Try not to use shelving EQ to boost your kick. For you do this, and you are going to be boosting all the harmonics in there as well. Start by notching the EQ with in the freq of the Bass Drum, so you can just control the thud of the kick. I have found that if I just tweak the lower end of the EQ I can get that DEEP thud effect that hits you in the chest but sits right in the mix.

Ramp up the vocals

If the vocal track seems dry or is not cutting through, I will use EQ. I go to the center and add some mids in a bell shape all the while being mindful not to change the dynamic of the track. I boost around the 2, 2.7, 3kHz range , depending on the vocal tone. I will also use a mid/side processor to make the center channel louder or send it through a plug in that makes it spread out a bit I know I am weird but one thing is just because your plug in may have preset that says it is made or designed for this or that instrument does not always mean it is the best. Explore your sound and try to find those dynamics that make your track jump out and grab you by the throat and say “HEY LISTEN!” You understand do not limit yourself by what others put on you.

STAY BALANCED!

Now just because you may have these great tools and plug ins does not mean that you have to use them on everything. If the track or instrument is well-balanced, maybe you do not need a compressor. It is all about the gain structure and tone. You may want to turn your track up but you don’t want to ruin the vibe, so use wisdom. I always say STAY BALANCED Do not let your A.D.D get the best of you stay on track but at the same time explore your options. For some of the best tracks have been found totally by accident by exploring but you should always back up EVERYTHING and always save the original un the event you make a mistake.

Compression can affect the width

A narrow mix can be widened using mid/side processing, as compression and gain on the outer frequencies will accentuate them. Just be careful not to hid or cover up the important parts in the center, like bass and vocals. If your mix is too wide you may be able to bring it in by compressing the center signal, then raising its level back up. Always try to find a perfect place for every instrument, this is another beast all in itself though right?

Lower the output

When you are ready to make a mp3 from your mix you will get a better result by converting a WAV that has been mastered to a slightly lower output level than 0dB. Some engineers will recommends starting with a WAV that is about -0.5dB or -1.5db Try it out and see for yourself the difference is unbelievable.
If your mix is still some what not where you want it despite your best EQ efforts, you might want to try an exciter or enhancer. Where EQs can accentuate noise, and only amplify what’s already there. Exciters raise the harmonics of the fundamental tones found in the recording, brightening dull mixes. As with everything in mastering, though, don’t overdo it remember STAY BALANCED!
Do not forget to visit the websites and dign up for email list. Big news coming in a bit so if your looking to maybe find placements for your music be sure to stay connected. Things have been so busy it has been hard to stay up to date with everything. Please be patient.

NEW UPDATES

Hello everyone out there in TV land! Trust you all had a great thanksgiving time with those you love and care about. At the very least I trust that you took a moment out of your life to reflect on what you were thankful for.

I am just wanting to share a little info with you all. Made a lot of changes over at markallanwolfe.com I invite all of you to re visit and tell us what you think. There is a lot more info over there and a lot more on the way. For instance the new blog will be there and also Music 2 Sync will have a link thru there as well.

Which also leads me to share with you that we will be doing the same for Wolfies Music publishing main website as well Trying to get all the new things up and ready by the new year to start out fresh.

So if you have any ideas or thoughts about what you would like to see changed on our website feel free to share with us, maybe your ideas will go forwards. Tell us if there is something you would like to see come out of the new redo?

We just wanted to drop a quick story and say thanks for following and keeping in touch. Lets keep each other motivated to go on to bigger and better things.

Wolfies Music Publishing