This is an Excerpt from a review by SOUND on SOUND of the dbx 160S Compressor/Limiter

http://www.soundonsound.com/sos/jan98/articles/dbx.htm

Is the dbx 160S pure technology, a work of art, or a little of both? PAUL WHITE puts it to the test.

You can always tell when a valuable product comes in for review — it turns up in a flight case, not a cardboard box! The 160S is dbx’s top-of-the-range analogue compressor/limiter, and it’s pretty clear that the heavy, sculpted front panel and chunky metal knobs have been influenced by Focusrite’s high-end ‘Red’ styling, but the design aim seems to have been to capture the sonic signature of existing dbx classic products, rather than to go all out for sonic neutrality or attempt to create a new compressor characteristic.

INTRODUCTION

Housed in a 2U rack-mounting case, the 160S is a 2-channel compressor/limiter with the addition of dbx’s proprietary PeakStopPlus limiter on the output. Metering is via moving-coil meters rather than the more usual LED ladders, and full side-chain access is available. The heavy aluminium front panel is blue anodized, and all the controls, buttons included, have a heavy, smooth feel that inspires confidence.

Before going further, it’s probably helpful if I explain the presence of the PeakStopPlus limiter in a product that can already function as a limiter in its own right. The most obvious reason for including a separate limiter after a compressor is so that the user can apply gentle compression to the signal using the compressor section, but still have the limiter keeping watch for peaks that might otherwise exceed the safe limit for the next piece of equipment in line. This is particularly important with digital equipment, which doesn’t tolerate any overload. However, even if you were to configure the main compressor as a limiter, by using a high ratio and a very fast attack time, you’d find this setting less than ideal for low-frequency sounds, which are treated more kindly if the compressor attack time is set a little longer. Of course, setting anything other than the fastest attack time allows brief peaks to slip through the system unchecked, which is why a separate, very fast output limiter is so useful.

PeakStopPlus is actually a two-stage limiter designed to arrest excessive peaks with the minimum of side-effects, and it does this by first employing what dbx describe as their Instantaneous Transient Clamp, which controls the level using a soft logarithmic function to avoid harsh-sounding clipping effects. This effectively prevents overshoots of more than around 2dB above the set threshold, but then stage two comes into action, introducing another new dbx term — Intelligent Predictive Limiting. I interpret this as a type of look-ahead system that monitors the input level, providing a very short but still useful warning that a peak is about to hit the limiter. Apparently the top couple of dBs of the limiting process provide soft clipping rather than simple truncation which, again, helps produce a more natural sound. PeakStopPlus is provided as a kind of peak level safety net, so under normal circumstances the compressor output level would be set so that the limiter rarely operates (if ever). If desired, however, the limiter can be provoked into more frequent action, allowing its use as a creative effect.

dbx® 160 Plugin Overview with Eddie Kramer

Watch renowned producer/engineer Eddie Kramer (Jimi Hendrix, Led Zeppelin, the Beatles, the Rolling Stones) present the Waves dbx® 160 Compressor/Limiter, an authentic-sounding plugin version of the vintage dbx® 160 compressor heard on countless hit recordings from the 1970s, 1980s and beyond.

For more on this great product check out this link and learn more!

http://www.soundonsound.com/sos/jan98/articles/dbx.htm

Tips on getting music placed and listened to

A lot of people email me and ask questions about how to get their music heard, do I have some time to listen and perhaps can I give them some advice? So I decided to put this together as a little posting to try to pass along some VERY IMPORTANT info. I hope it helps it is very basic but sometimes that is all that is needed to do. .

Do your research, find out what shows fit your music. Check the credits. Some of us may respond to Linkedin, Facebook, etc. If I have heavy metal or hard rock songs and cues I am not going to send them along to a show that primarily uses Hip Hop? or Reggae?

You may think this is silly that I say this but I cannot begin to tell you how many times I might post a listing or song search and I get back the totally opposite results. I will post something like I need Hip Hop, or Urban rap tune and someone will eventually send me a singer songwriter or jazz, even once I got a classical score piece. I am not mocking you or making fun of them for I have done that even in the past a long time ago but you need to do your research and find out what shows use what or what have they licensed before. Nothing will get the Music Supervisor to NOT listen to something more than when someone says, “I know your not looking for this at the moment but I feel this will be the best fit for your show…”  Not tripping but if the director wanted something other than what is listed we would have asked for it.

When sending someone an email asking them to listen to your music be sure you make the process as simple as possible. Links to stream with a link to download next to it. Keep it clean and accessible. Something like SoundCloud or Drop Box You Send it, Reverbnation EPK something easy.

Try to think of it like a million folks are trying to get the Music Supervisor or A&R agent to listen to their music. If the one listening needs to fill out forms or go searching on some website then that is NOT going to happen.

“What is the best way for me to get your attention to their music or take a moment to listen?” Be honest about presentation. Be professional yet humble. Try not to tell me you’re the NEXT so and so..Let your music and image do the talking. You maybe working out of a garage or a one room apartment or you may have a great band rocking out every night. THe thing is that if you have great music and great attitude you WILL be heard, your music WILL get you to where you need to be. Might take a while but it will. LOL

Finally BE ENCOURAGED!! and Keep on keeping on. No ONE believes more in your music than YOU! No one will promote it as hard, talk it up as much or try to sell it more.If you send a package out give it some time say 4-6 weeks. I cannot tell you how many times I might have sent something out and not heard nothing back then WHAM when you’re not thinking about it like sometimes months later you get the call, “We LOVE YOUR MUSIC!!” So just because someone does not call you or email you with in a month or so does not mean you’re not being heard.

We live in an age of FAST..somethings take time and for the RIGHT time. If you hold steady and do not quit and believe, make great music SOMEONE WILL notice.

With that I say CHEERS and have a safe summer, stay in touch.

Wolfie’s Music Publishing

The music players on here are from Wolfies Music Publishing and Mark Allan Wolfe

Ideas to help in your music career?

Hello again everyone, here are a few ideas that I recently shared with a few people looking to broaden their horizons and are pursuing a career in music. I thought wow I should share these thoughts with all of you as well, maybe you already know these, maybe you do not but felt it worth the time for many people who contact me do not have some of these basic concepts down and wonder why things do not change. So lets dig on in.

As I try to move ahead in this wonderful world of music I have discovered some basic truths that if put into practice will help you immensely, if left behind or laid aside can hinder you in your progress.

Website

First you need to have some form of website or web presence in these days. If you are going to make any headway or gain some popularity you MUST have a website. They do not have from your wallet.e to be something costing millions of dollars but you need to have a .com It is a place for your fans to connect with you, a place to share links,videos band news, etc. Now I have listed a few examples to just show you of what I mean. You can have  have a FACEBOOK personal page BAND page or a MYSPACE page but always in the end you need to have your own little corner in the world that is your place, something like www.markallanwolfe.com

For something like your own URL (which is like your band name) it only cost a little bit of cash so it is not something that might break you. You can start here for possible URL. One thing I remember someone telling me early on was you need to spend a little money to make some money. so do not fear but also use extreme caution for their are folks out there who will take advantage and try to squeeze out as much as they can.

Why the need to get all of these places out there? Because part of this game called the MUSIC BUSINESS is the key word in that, BUSINESS! You thought well if I just make the music and tell people about it they will flock to me and demand, “DUDE! play on!” Just like in any other Business you will have to earn customers and build a name for yourself. The days of when you just had to play a song for someone and they would give you money to get a record deal, were blown away and wanted to make you a star are almost gone. There are times when some one comes along but even THEY need a place to start.

The music business has changed so much over the past few years that what was once a elite club to get into, is still somewhat elite, yet you have a better chance at getting to your set goals then before all because of the INTERNET. Which leads me to my next little step.

GOALS

You need to take sometime out to write out all that your looking for and what your trying to accomplish. For with out having a game plan your DOOMED to fail.As trivial as this sounds do not make haste at it. For what company ever succeeded without first having a goal to reach for. They can be anything you want but you need to devise a plan. That way when the time gets hard, and they will, you have something to go back to. When things seem to be going great and your head is int he clouds you can always comeback to your list to see if this is something that you wanted

I know many of you will probably read half way thru and turn away at some of these thoughts, but ask yourself this question, do you think Henry Ford just got together with those around him and said, “I am going to make a product that the WHOLE world will want to buy, that will make me billions, and change the WORLD!” I just want you bankers to give me all the money I need on this horseless carriage, (what cars were first called), NO!

He had to develop a plan and stick to it, by doing that as you can see they have been around for over 100 yrs if I am not mistaken.  You say, “Wolfie , dude that is cars this is different” How so? You want to change the world with your music, you need money form folks to help you realize this dream of yours. You need to surround yourself with those of like mind to achieve the goals you have set out for yourself. No matter if your looking to be the next best thing in music, acting, or any other business you NEED a plan that is solid. Nothing wrong with writing your dreams and goals out. It can be something as well to go back to when everyone around you thinks your crazy and a fool that you wont get it, it will never work. You can read your own words and find strength and comfort knowing YOU will make it if you faint NOT.

I will share a few more ideas perhaps tomorrow but definitely soon. I want you to be encouraged in this dream of yours. It is something that is birthed in your heart since who knows when. NO ONE loves your music MORE than YOU. Friends will not, family will not, your neighbors wont, only YOU. You need to believe in yourself a 120% all the time and you will make it. That is if you have got the talent, and determination. LOL Look at it like a marathon race of 26 miles. Many people will stop after 10-15 miles, faint after 20-25 but people who run say that after they hit the wall they STILL move on past it like they still have ANOTHER 26 miles to go. If you stop to look to your left or right your going to get tripped up and fail. DO NOT STOP KEEP MOVING! Wow I think I encouraged myself today.  :o)

More next time.

New Updates

Would like to announce to you and the world of the new updates and things now made available at the website. Recently been editing things over there and making some adjustments. Now you can search thru a small portion of the catalog and license the music right from the website. You can also find musical terms and songs ,videos and contact info available. If you would like to learn about how Wolfies Music can also provide you with music for your next multimedia production, or even provide you with songs for you or your artist to market themselves, record or perform.

There is also a place to learn about how to submit YOUR music to Wolfies Music for consideration to be placed into the catalog for future placements. When it comes to that do not be afraid to share or email your music. THe songs that many folks think are maybe not up to paar, is the songs others might think are perfect. As long as it is of good recording and all that you never know what may become of it.

Thank you for your time and I look forward to hearing from some of you out there who maybe will be reaching out to us. we are here to help and do what we can to help you succeed, make your projects shine above the rest.

A few other videos

An acoustic melody mixed with a variety of piano,string orchestra as well as some synths. A nice meditative song that has helped me find rest every time I play it in the studio. I do hope you enjoy it. For more about the music please visit http://www.markallanwolfe.com or http://www.wolfiesmusicpublishing.com

http://embed.animoto.com/play.html?w=swf/vp1&e=1336839606&f=XN7sGrC417TeSeFy1mDpMA&d=149&m=a&r=240p&volume=100&start_res=240p&i=m&options=

A beautiful song of love inspired by the thoughts of children and the love they offer. This song was made by Mark Allan Wolfe and has been an inspiration to many. it is a simple acoustic melody wrapped around keyboards and a small ensemble. The choir and child singing were especially interesting to record and perform. We hope you enjoy it and if anything else we would invite you to visit these website below to hear more and perhaps comment? Thanks

Wolfies Music Publishing
http://www.wolfiesmusicpublishing.com
http://www.markallanwolfe.com

Georgia Legislature Sides With Music Industry On Entertainment Tax Credit Amendment

Here is a re posting I read about certain developments here in the state if Georgia, I found it very interesting and very helpful and beneficial. I hope you do as well. It makes me consider the situation in other states?I will try to find out more about it as well as with other states. Any comments?
Georgia Music Partners (GMP) and The Recording Academy Atlanta Chapter successfully engaged the Georgia Legislature to add language to the Georgia Entertainment Industry Investment Act that clearly shows that music produced in Georgia for qualified film and television productions is an eligible expense. This decision clears the way for the state and GMP to promote the tax benefits of music production here.

The bill was sponsored in the Senate by Chip Rogers (District 21) and in the House by Ron Stephens (Savannah), Matt Hatchett (Dublin), Butch Parrish (Swainsboro), Matt Dollar (Marietta) and Amy Carter (Valdosta).

“We are very happy to make Georgia home to music,” said Sen. Stephens. “We hope to have the very same success in music as we have in film productions.”

According to Tammy Hurt and Simon Horrocks, co-presidents of GMP, the language in the original 2008 law suggested a narrow interpretation of what would be considered “qualified” music productions. “By having the legislature rule in favor of music production in the state as a qualified expense, we now have confidence in marketing the business-friendly environment that Georgia offers the music industry,” said Hurt. “The state has seen a huge increase in film production since 2008,” said Horrocks. “The legislator’s clarification is the first step in doing the same for the state’s music industry.”

If your looking for a music composer for your projects or for some new music or music to license would you consider the music of Mark Allan Wolfe or Wolfies Music Publishing. We specialize in finding you the right music for your projects and have a large supply of music that is just right for you. Feel free to visit the links here at at the bottom of this page.
www.markallanwolfe.com 

www.wolfiesmusicpublishing.com

“This is great news for the state’s economy,” said Phil Tan, an Atlanta-based three-time Grammy Award music engineer. “This will enable local music-related business entities to have an additional marketing angle and attract record companies, artists, producers and other music makers to bring their projects here to Georgia. Hotels, restaurants and other local businesses will benefit from the added traffic as well.”

According to Billboard’s top 40 moneymakers of 2012 ranking, Georgia artists represent 18% of the worldwide top music moneymakers worldwide.

Originally created in 2008 the Georgia Entertainment Industry Investment Act provides state tax credit for qualified production and post-production expenditures. The Georgia Entertainment Industry Investment Act offers an across the board flat tax credit of 20 percent based on a minimum investment of $500,000 on qualified productions in Georgia. An additional 10 percent Georgia Entertainment Promotion (GEP) uplift can be earned by including an imbedded animated Georgia logo on approved projects.

TIPS and IDEAS on music submission

Tips on Music Submission

When sending your material out to a Publishing company, record label or any number of professionals who might help you in your promotion and exploitation of your music, you need to do it right. You need to take a few extra steps in making sure your music has a fighting chance. It sometimes does not mean a hill of f you or your friends think it is the next greatest hit, if it never gets listened to the CD becomes a coaster.

If you take these few steps with your delivery you may find you have an edge on your competition. Believe me there are millions of other folks who are out there who believe in there music the same way you do. Many will think all they need to do is to take a cd record an mp3 on it and send it with no letter or anything on it.

Make sure your songs are all mastered and are at the right volume, no pops,distortion or clicks. Try to select only the best tracks that give the best example of who you are and your sound.
Mark%20Allan%20Wolfe

When you place your music on a disc to mail out, be sure to write CLEARLY or to print out a sticker with all your contact info on it. I would make a suggestion to you. You spent all this time in creating the music and all this effort to trying to market it, why not spend a few more bucks and purchase the disc stickers for your printer? I was told once that if you just write on the disc with some scribbled letters, it gives the impression that you do not care that much about your music? I can see why. Remember you are trying to get people to listen to your music.

You want people to open there mail and be like “WOW these folks took a lot of time and effort into creating this package, they must ROCK!” By a fancy folder and nice printing pap cause remember you only have one time to make a first impression.Chilling out by a water fall Northern GA

When you send your email or EPK if you do not know what that is ( Electronic Press Kit) you need to make sure you re read everything. Do not make long statements about this and that, introduce yourself and give all your connection info and/or ask if you can submit material. Understand that many A&R,Music Mangers, Music Supervisors receive hundreds of tracks a day if not weekly. They need time to go thru the stuff they get and if your successful to have them open up your email or CD package, you do not want to waste their time.

TUNE PAKE    http://www.reverbnation.com/tunepak/3558037

When giving your links to sample your music it should take the person directly to the song or title to a music player. You should never assume that the folks are going to go surfing thru your website or have to jump thru hoops to sample your music. If they cannot find it with in a few seconds most times they will move on and your done.

So, please do not get angry with me and email me then tell me how mean or stupid I am. All of these ideas come from trial and error. I have experienced these first hand and have found out what works. Maybe not all the time but with trial and error you learn a little here and there.

At the end of the day it is always up to the music supervisor or the director on which song (s) will be chosen. No matter who makes it, how long you worked on it, if you dig it or not, if they do not dig it you are not going to change their minds. If it works with the picture in their eyes then there is no stopping the deal. So create your best, try hard, put your best foot forwards and keep on knocking until the door opens. It might take years but if you got the jams then eventually someone will listen if your humble, talented and have a teachable spirit.

For more info stop on thru again or visit www.wolfiesmusicpublishing.com or www.markallanwolfe.com for more. You are always free to visit www.wappublishing.com and also visit the other companies out around the webs nd be sure to share what you have learned with others.

Studio pictures from earlier years

Wolfes Den studio in the early stages

Common Music Licensing terms

For those of us who need to be reminded of certain terms and for those of you who have never known but would like to know what certain terms are I thought it would be a great idea to post or re post this definitions of terms from <a href=”http://ASCAP.com”>ASCAP.com</a&gt; I am a member of this orginazation and I am very happy to be. So let’s dig in shall we…oh yes if you have any questions, thoughts or comments please feel free to share them with everyone they might be thinking the same thing.

<strong>ADI</strong>
ADI or Area of Dominant Influence is the geographic area or market reached by a radio or television station. It is used by advertisers and rating companies to determine the potential audience of a station.

<strong>Blanket License</strong>
“Blanket license” is a license which allows the music user to perform any or all of over 8.5 million songs in the ASCAP repertory as much or as little as they like. Licensees pay an annual fee for the license. The blanket license saves music users the paperwork, trouble and expense of finding and negotiating licenses with all of the copyright owners of the works that might be used during a year and helps prevent the user from even inadvertently infringing on the copyrights of ASCAP’s members and the many foreign writers whose music is licensed by ASCAP in the U.S. [see also Per Program License]
<strong>
Dramatic or Grand Rights or Dramatic Performances</strong>
ASCAP members do not grant ASCAP the right to license dramatic performances of their works. While the line between dramatic and non dramatic is not clear and depends on the facts, a dramatic performance usually involves using the work to tell a story or as part of a story or plot. Dramatic performances, among others, include:

(i) performance of an entire “dramatico-musical work.” For example a performance of the musical play Oklahoma would be a dramatic performance.

(ii) performance of one or more musical compositions from a “dramatico-musical work” accompanied by dialogue, pantomime, dance, stage action, or visual representation of the work from which the music is taken. For example a performance of “People Will Say We’re In Love” from Oklahoma with costumes, sets or props or dialogue from the show would be dramatic.

(iii) performance of one or more musical compositions as part of a story or plot, whether accompanied or unaccompanied by dialogue, pantomime, dance, stage action or visual representation. For example, incorporating a performance of “If I Loved You” into a story or plot would be a dramatic performance of the song.

(iv) performance of a concert version of a “dramatico-musical work.” For example, a performance of all the songs in Oklahoma even without costumes or sets would be a dramatic performances.

The term “dramatico-musical work” includes, but is not limited to, a musical comedy, opera, play with music, revue or ballet.

ASCAP has the right to license “non-dramatic” public performances of its members’ works – for example, recordings broadcast on radio, songs or background music performed as part of a movie or other television program, or live or recorded performances in a bar or restaurant.

Dramatic and grand rights are licensed by the composer or the publisher of the work.

<strong>Mechanical Rights</strong>
A mechanical right is the right to record and distribute (without visual images) a song on a phonorecord for private use. Mechanical rights or a mechanical license must be obtained in order to lawfully make and distribute records, CD’s and tapes. Recording rights for most music publishers can be obtained from

The Harry Fox Agency
205 East 42nd Street
New York, New York 10017
212-370-5330
http://www.nmpa.org/hfa.html

<strong>Music Publisher</strong>
A music publisher works with songwriters to market and promote songs, resulting in exposure of songs to the public and generating income. Music publishers “pitch” songs to record labels, movie and television producers and others who use music, then license the right to use the song and collect fees for the usage. Those fees are then split with the songwriter.

For more info visit <a href=”http://www.markallanwolfe.com”>www.markallanwolfe.com
</a>
<strong>Per Program License</strong>
A “per program” license is similar to the blanket license in that it authorizes a radio or television broadcaster to use all the works in the ASCAP repertory. However, the license is designed to cover use of ASCAP music in a specific radio or television programs, requiring that the user keep track of all music used. Also, the user must be certain to obtain rights for all the music used in programs not covered by the license.
<strong>
Public Performance or Performance Rights</strong>
A public performance is one that occurs “in a place open to the public or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances is gathered.” A public performance also occurs when the performance is transmitted by means of any device or process (for example, via broadcast, telephone wire, or other means) to the public. In order to perform a copyrighted work publicly, the user must obtain performance rights from the copyright owner or his representative.

<strong>Record Label</strong>
A record label (or record company) makes, distributes and markets sound recordings (CD’s, tapes, etc.) Record labels obtain from music publishers the right to record and distribute songs and in turn pay license fees for the recordings.

<strong>Retransmission</strong>
A transmission of a performance is one that is sent by any device or process (for example, radio, TV, cable, satellite, telephone) and received in a different place. A retransmission is a further transmission of that performance to yet another place.

<strong>Sound Recording</strong>
A sound recording refers to the copyright in a recording as distinguished from the copyright in a song. The copyright in the song encompasses the words and music and is owned by the songwriter or music publisher. The sound recording is the result of recording music, words or other sounds onto a tape, record, CD, etc. The copyright encompasses what you hear: the artist singing, the musicians playing, the entire production). The sound recording copyright is owned by the record label. The copyright in the musical work itself is owned by the music publisher, which grants the record label a “mechanical” license to record and distribute the song as part of the record.

<strong>Synchronization or “Synch” Rights</strong>
A synchronization or “synch” right involves the use of a recording of musical work in audio-visual form: for example as part of a motion picture, television program, commercial announcement, music video or other videotape. Often, the music is “synchronized” or recorded in timed relation with the visual images. Synchronization rights are licensed by the music publisher to the producer of the movie or program.

Mark Allan Wolfe

www.wolfiesmusicpublishing.com

Making the music

So what can be said about this subject that has not been said already? I am sitting here staring at a blank page and rocking out to my Steely Dan collection listening to some oldies but goodies like, “Bad Sneakers” “Kid Charlemange”, and “AJA”. These songs being some of the best recorded by some of the best in the industry. The album AJA for instance garnering many awards for engineering and going down as an album that is one of the greatest in history.

On April 6, 2011, the album was deemed by the Library of Congress to be “culturally, historically, or aesthetically important” and added to the United States National Recording Registry for the year 2010.

In July 1978, the album won the Grammy Award for Best Engineered Non-Classical Recording. In 2003, the album was ranked number 145 on Rolling Stones “The 500 Greatest Albums of All Time” list.

wolfies music publishing beach

wolfiesmusicpublishing.com

I know there are other albums or artist out there that are just as good if not better than my example but you get the picture. I am sitting here listening and asking myself , “What make a great song”, “Why are these songs so great?” Is it there musicianship, the musician, the engineer? the right songs at the right time, the right studio? or all of the above? I think it is the last ALL OF THE ABOVE.

I say that because you can as a musician and composer I make a lot of songs and record a lot of music for not only my self but for and of other people. I write songs as a song writer work with them, I work with other musicians and record them and all plus engineer the stuff I record both for them and myself. I know  a little about what goes into it.

I am not a super man being able to write or record hits ALL the time sometimes we suffer from writers block but l wanted to share with you a few ideas and thoughts in your journey and also remind you of some simple truths.

When your done reading why not take a moment to visit www.wolfiesmusicpublishing.com

Wolfies Music Publishing LOGO

Music to sync blog

1) Study your craft You need to stay on top of things and learn as much as you can about those subjects you want to excel in. This stuff does not come to you thru osmosis :0) You cannot just wish it to happen you need to work at it like anything else.

Find places online which teach it, write about, listen to stuff about it. When you find yourself being able to teach someone something you have learned you can rest in your heart that you are on the way to getting to where you want to be. The same can be said if you find yourself using those tools in your projects that you have read about or listened to in DVD or CD form.

2) HUMBLE YOURSELF When you think you know it all you are far from beginning I dare say you have not even enter kindergarten. I know that this will sound strange and forgein to a lot of you many will be offended. This is not what I am trying to do but I am trying to get you to hear what I am saying.

How many of us have heard or known of people walking into a flight instructor school saying, “I know all there is to know about flying, I can do it no problem” I never have heard of anyone saying this and if they did I would NOT want to fly with them. The same can be said of us when we fail to humble ourselves and walk into a studio situation or start to work on something and declare in our hearts or to those around us that we know ALL there is to know about it?

What happens is that everyone in the room knows you suck and no one wants to record with you. I know I was using extreme ideas but you get the picture, we need to recognise that we need help and are not afraid to ask for it. When you ask questions you show yourself to be wise and wanting to learn. When you make a mistake or admit you wwere wrong, you path the way to great success.

3) PRACTICE Finally something we all like to do, is practice or perfect our craft. To go over it over and over again until we get it in our sleep. TO the point where we do not even need to second guess yourself you just know it it becomes like breathing. even though it might hurt your fingers, mind or cause your eyes to blur from staring at the screen but if you take time out of every day to practice you will become GREAT. You will become successful if you practice these tenants to becoming the best.

I do hope you come by again and share your thoughts with me and let me know what you think. I am still endeavoring to put into practice these simple truths I just shared with you. I am learning to become nothing so I can become the best in everything. That is a mystery yet to be seen but I am enjoying myself along the way, making some great friends and hopefully some great music along the way.

Mark Allan Wolfe
www.markallanwolfe.com

www.wolfiesmusicpublishing.com

mark@markallanwolfe.com

Mark Allan Wolfe holding PRS

Want to play?