This is an Excerpt from a review by SOUND on SOUND of the dbx 160S Compressor/Limiter

http://www.soundonsound.com/sos/jan98/articles/dbx.htm

Is the dbx 160S pure technology, a work of art, or a little of both? PAUL WHITE puts it to the test.

You can always tell when a valuable product comes in for review — it turns up in a flight case, not a cardboard box! The 160S is dbx’s top-of-the-range analogue compressor/limiter, and it’s pretty clear that the heavy, sculpted front panel and chunky metal knobs have been influenced by Focusrite’s high-end ‘Red’ styling, but the design aim seems to have been to capture the sonic signature of existing dbx classic products, rather than to go all out for sonic neutrality or attempt to create a new compressor characteristic.

INTRODUCTION

Housed in a 2U rack-mounting case, the 160S is a 2-channel compressor/limiter with the addition of dbx’s proprietary PeakStopPlus limiter on the output. Metering is via moving-coil meters rather than the more usual LED ladders, and full side-chain access is available. The heavy aluminium front panel is blue anodized, and all the controls, buttons included, have a heavy, smooth feel that inspires confidence.

Before going further, it’s probably helpful if I explain the presence of the PeakStopPlus limiter in a product that can already function as a limiter in its own right. The most obvious reason for including a separate limiter after a compressor is so that the user can apply gentle compression to the signal using the compressor section, but still have the limiter keeping watch for peaks that might otherwise exceed the safe limit for the next piece of equipment in line. This is particularly important with digital equipment, which doesn’t tolerate any overload. However, even if you were to configure the main compressor as a limiter, by using a high ratio and a very fast attack time, you’d find this setting less than ideal for low-frequency sounds, which are treated more kindly if the compressor attack time is set a little longer. Of course, setting anything other than the fastest attack time allows brief peaks to slip through the system unchecked, which is why a separate, very fast output limiter is so useful.

PeakStopPlus is actually a two-stage limiter designed to arrest excessive peaks with the minimum of side-effects, and it does this by first employing what dbx describe as their Instantaneous Transient Clamp, which controls the level using a soft logarithmic function to avoid harsh-sounding clipping effects. This effectively prevents overshoots of more than around 2dB above the set threshold, but then stage two comes into action, introducing another new dbx term — Intelligent Predictive Limiting. I interpret this as a type of look-ahead system that monitors the input level, providing a very short but still useful warning that a peak is about to hit the limiter. Apparently the top couple of dBs of the limiting process provide soft clipping rather than simple truncation which, again, helps produce a more natural sound. PeakStopPlus is provided as a kind of peak level safety net, so under normal circumstances the compressor output level would be set so that the limiter rarely operates (if ever). If desired, however, the limiter can be provoked into more frequent action, allowing its use as a creative effect.

dbx® 160 Plugin Overview with Eddie Kramer

Watch renowned producer/engineer Eddie Kramer (Jimi Hendrix, Led Zeppelin, the Beatles, the Rolling Stones) present the Waves dbx® 160 Compressor/Limiter, an authentic-sounding plugin version of the vintage dbx® 160 compressor heard on countless hit recordings from the 1970s, 1980s and beyond.

For more on this great product check out this link and learn more!

http://www.soundonsound.com/sos/jan98/articles/dbx.htm

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Antelope Audio Introduces MP32:

32 Channels of Transparent, World Class Microphone Preamplifiers in a Compact 2U Rack Design

MP32 is the Ultimate Front-End Recording Device for both Live and Studio Applications and the Perfect Companion to Antelope’s Orion32 Interface

Antelope Audio As part of its most recent product unveiling at the 137th International AES Convention, leading professional audio gear manufacturer Antelope Audio announces the MP32, a 32-channel, console-grade microphone preamplifier with integrated software control. Housed in a 2U rack space, MP32 is specifically designed to complement Orion32‘s precise conversion and ensure even greater transparency while recording.

Antelope Audio MP32

Antelope Audio MP32

The combination of the Orion32 and MP32 — totaling just 3U in rack space — make it a perfectly suited solution for studios and live recording where rack space can be a precious commodity. The new MP32 expands on the analog preamplifier circuit design of the recently launched Zen Studio, which includes 12 studio quality mic preamps.

“With the MP32, the key idea was to incorporate an holistic approach,” says Antelope’s founder and CEO, Igor Levin. “Instead of considering a mic pre to be a disparate element, it should be viewed within the framework of the overall structure which comprises the A/D converter, its drivers and the pre itself. The result is that the entire system works in harmony, ensuring sonic integrity throughout the entire recording chain: from recording, to conversion, and playback.”

Quality and Versatility On the Road, in the Home or in the Studio
Each of the class-A preamps on the MP32 feature phantom power and four of them can operate as Hi-Z instrument inputs. By using the MP32′s control panel (compatible with both Mac and PC), users can manipulate each of the unit’s input types and mic gain levels remotely. Even more, audio engineers are able to save and easily recall their own presets for various situations, making workflow more efficient. The individual V/U style metering provides instant signal confirmation at the glance of a computer monitor.

Rear View MP32

Each preamplifier on the MP32 was designed to be open and transparent, introducing an increased level of sonic realism in recorded material. The unit offers excellent headroom and up to 65 dB of gain in 1 dB steps: more than enough power for even the most demanding ribbon mics. Since the MP32 is so compact — yet uncompromising in its quality and feature set — it offers an economical solution for modern engineers and producers to increase both quality and channel count at the input stage, whether they are operating a DAW-based project studio, a state of the art commercial studio, a laptop-based live rig or a multi-channel remote recording truck.

The MP32 is scheduled to ship later in the forth quarter of 2014 and will be priced at $2995, with a special discount available for Orion32 owners.

32-Channel Mic Pres Perfectly Matching Orion32 Audio Intreface

MP32 is a 32-channel console-grade microphone preamp with integrated software remote control and Antelope Audio’s exciting new approach to analog circuit design.

The rave reviews shared by several top audio engineers regarding the quality of the 12 mic preamps in our portable audio interface Zen Studio urged us to expand further and create a 32-channel mic preamp housed in only two rack spaces. We designed MP32 to be a perfect match for our top-selling audio interface Orion32, this way ensuring a full transparency of the sound and complete integrity of the signal via the whole chain, from the mic pres through the conversion, recording and playback, all of them characterized by the signature Antelope sound. The combination of the Orion32 and MP32 — totaling just 3U in rack space — make it a perfectly suited solution for studios and live recording where rack space can be a precious commodity.

READ MORE HERE………>

Balancing Act

Balancing Act

This is a video exploring another side of the music of Mark Allan Wolfe. Noted for Rock, Indie, and New Age music, here is a cinematic piece. The song opens with soft piano, that is haunting and is joined by guitar and cello and culminates in a balancing act of a variety of musical instruments. The swelling of cymbals, orchestral elements, and traditional island percussion. For more music and licensing information please visit markallanwolfe.com
If you are interested in licensing music immediately you can start by visiting the online music licensing store located at
http://markallanwolfe.com/License Music.html

Equalizer

Equalizer

A modern rock with a bit of swing and a great hook. Guitars and thunderous drums make this a great choice for your high energy, tough gritty, get the job done type of vibe. The song is also good for commercials video games and reality shows. Composer Mark Allan Wolfe has several 1000’s of songs readily available for just about any job you need music for. Visit markallanwolfe.com and /or wolfiesmusicpublishing.com to contact them to learn about what they can do for you or your clients needs.

Sound Design behind “The Hobbit”

In this exclusive SoundWorks Collection sound profile we visit Park Road Post Studios in Wellington, New Zealand to talk with the sound team of Director Peter Jackson’s The Hobbit: The Desolation of Smaug. Featured interviews include Re-recording and sound design. I have found this to be very helpful and you may too.

As composers, artist and musicians we are to always challenge ourselves creativly, as well as technically. Although a lot of you may not creat score music or sound design I am sure you will gain some insight into your craft by watching and listening to this little video clip.

Mark Allan Wolfe and Wolfies Music radio interview

Be sure to tune in this evening at 9 pm est for a very informative and fun time!!

Life has ups and downs, highs and lows yet it is the music we follow within our heart that will ultimately define who we are and what we become. Tonight, we present to you, the gifted composer, Mark Allan Wolfe.

Mark Allan Wolfe is a composer and an artist in the truest sense. His film and TV compositions run from thought-provoking, high energy, laced with adrenaline and  atq times sincerity. Combining heart-pounding Rock ‘n Roll with tributaries of Electronics, World, Hip-Hop, Pop and Americana, Mark’s songs draw on his 25 years of striving for professionalism and musical merger of sound and genre.

His fans span the world and the 1500+ compositions verify that diversity on TV, internet, film and commercials. You may have hummed one of Mark’s tunes not even realizing the tunesmith behind the music. Web site: MarkAllanWolfe

Grace Peterson is an author, garden columnist and blogger. Depending on the weather, she can be found either pecking on her laptop or puttering in her garden. She is a member of the National Association of Memoir Writers and the Association For Writing Excellence and her work has been published in several anthologies.

Tonight we will speaking of her first book, Reaching. Is it Demon possession or mental illness. A personal descent into cult extremism and the aftermath,.

Grace lives in western Oregon, sharing a home with her husband and four furry felines while their four grown children come and go. REACHING is her first book. Her gardening memoir is slated for publication later this year. Web-site: Gracepete.com

More tips on getting music placed

I have been enjoying the feedback and questions from the previous posts I thought I would elaborate a little more and share a few more thoughts with you. Now before I begin I must say that you may not think what I share is perhaps a tip, but these have been things that have and still do help me out. These thoughts and ideas have come from experience and from certain folks I know in the business who are either A&R people, other Music Supervisors, Composers and if I may GATE KEEPERS Muahahaha!

Now some of this MAY hurt your heart and get you angry, but if you are sick you go to the DR to find out whats wrong. If you are trying to get music placed or make some money in the music biz you are reading this humble attempt at a BLOG. I do NOT have all the answers NO ONE does but here we go…

Ok so you have made some music, you are trying to be FAMOUS, you are trying to share with the world your most incredible song that has ever graced the ears of man….now what do you do? How do you go about trying to get it to the right people? Some of you who read this may have years of experience and this will all seem silly or maybe a review of sorts.

To some this will be strange and you have never heard of these things or even contemplated them. Some of the terminology may seem foreign and strange but if you take the time to learn and read up on  these things they will benefit you in years to come.

How do you explain something that has taken a life time to learn and put into practice with in a few senteces? How does one reveal the truth to someone when they do not want to hear it? Wait a minute what? Yes thats right many people do NOT want to hear what I am saying. You want OTHER people to do all the work for you but you want to reap the rewards of THEIR labor? Yes Mr Anderson this is true. I have seen it time and time again. On one hand there are a group of people who will bust their butts and do what ever they can to try to make it in the busness and then there are those who will go half way and expect the same results. Does not happen.

You have to do your homework no matter what you have to study, force yourself to do things you would not neccessriy do as a musucian such as read, educate yourself. I cannot begin to tell you how many people will email me or call and they have NO clue as to how things work and how this business end works, they think that you make the music place it on itunes, or make a youtube video and people will stop in there tracks. Not that there is anything wrong with not knowing for we are all learning. It is the fact that this is all they think needs to be done. That some one beyond the great expanse will hear them and sign them and their music as in the days of old, or the movies.

Ask yourself a few of these questions, and write them down on paper or on your laptop….

Where do you want to be in a year?

Where do you want to be in 5 yrs?

How do you get there?

Who can help you get there?

Why do you want it?

These are your goals, your blue print for what your trying to do.

Where is music used? EVERYWHERE

Who provides them with that music? How can I get my music to them, or that person?

Why do you write your thoughts and ideas down? If you do not have some form of direction YOU WILL NEVER go anywhere. You have to set out a course a plan. You have to put yourself in the right places at the right times. I believe it was Walt Disney who said  “The way to get started is to quit talking and start doing.”

You need to identify and try to start meeting filmmakers and music supervisors. A few things to try to remember when meeting and establishing ANY new relationships with in this business are as follows;

Composing is primarily a relationship-driven business. If you are not one who likes to work with people you may have trouble working in this field. Not impossible just something to work on. Be seen as a solution NOT a problem.
Be someone who’s easy to do business with and approachable. Do not be arrogant be a little humble. Like with in ANY relationship building, remember to consider others time and thoughts not just YOURS.

Respect their time – when you call, get to the point and always listen. Don’t take anything personally. If someone gives you their thoughts or ideas (like this BLOG) do not trip out just realize that it is just their views. RESPECT, relax, do not stop making music because you got rejected EVERYONE gets rejected.Edison the dude who helped discover the light bulb failed like hundreds of times I think even 206 times!
Always inspire confidence in you and your music. Always remember the unique aspects about you and your music.
Do your homework – learn as much as possible about the person & projects.

I will always share when I can to try to help out everyone. I would humbly ask that if you like this posting and have benefited from it that you write us back share your music with us if you want. I am always looking to network with people of like mind and collaborate so feel free to email. I would also like to ask that you share this with anyone you feel would benefit. It is like we are trying to put into practice what I have been writing about these past few articles. Lets build relationships. ROCK ON!